S: Any words of advice to new filmmakers out there?
JMM: Yeah, just watch Steckler's LEMON GROVE KIDS MEET THE MONSTERS.
S: Ray Dennis Steckler...
JMM: Look at how simple and carefree the art of filmmaking is! It's a gorilla suit and a pretty girl! Just shoot the film for Pete's sake! Lately I've been wondering if editing is even all that important.
S: Do you think Russ Meyer's films are personal?
JMM: Sure. But all the reviews I've read of FASTER PUSSYCAT! KILL! KILL! don't really refer to that. No one has ever noted how the characters are metaphors for Meyer's World War 2 experience: Tura is Japan, Haji is Italy (or Spain), and Billie is Platinum Americana. Tura and Haji are in bed together, politically and sexually and Billie winds up stabbed in the back, but not before befriending the Victim, who is a metaphor for Europe, or perhaps the Jews.
S: The bookworm survives as well.
JMM: As does the vegetable, who defeats Tura's machine. But it's American book-smarts and a bikini clad Playmate who walk away at the end of the movie! Oh yeah, and Stuart Lancaster is FDR: the old man in the wheelchair!








