They were weird and different and didn't play songs like everybody else


pdf, with thanks to the original sharer

Lester Bangs: Rolling Stone had flown me up to San Francisco to check me out, since I had been writing for them for about six months. I guess they wanted to see if I was executive timber. I guess I wasn't, because not only did I get moved from Greil Marcus's to Langdon Winner's house after about two days, but I thought it was as curious that they sat around, not even smoking pot, but listening to Mother Earth and Creedence with absolute seriousness, as they were bewildered by my penchant for guzzling whiskey all day while blasting 'Sister Ray' at top volume ... to make a dismal story mercifully short, I discovered a magazine in Detroit called Creem, whose staff was so crazy they even put the Stooges on the cover. Of every issue! So I left my job and school and girlfriend and beer-drinking buddies and moved to Detroit, where my brand of degenerate drool would be not only tolerated but outright condoned, and over the five years I worked at Creem we used our basic love for it to exploit the punk aesthetic and stance in just about every way humanly possible.

2 comments:

  1. it seems i am cited by name herein
    for interview i did w/ verlaine, well tickle my nips!

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  2. Gosh, I despise Clinton Heylin....hope he does a better job with this than he does with all of his Dylan babblings. (even the Recording Sessions book is marred by his ridiculous editorializing....as if we can't tell what's a good Dylan song and what isn't....as if Dylan is waiting for his work to be graded by the teacher, ie Heylin).

    Did this come out before or after "Please Kill Me"? That is THE book about the New York and Detroit punk scenes, hands down.

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