The band followed him onstage. He adjusted the microphone. “Es una canción
muy sencilla, and it’s been berry good to us here. “Loco Amor.” One, two,
threes, quatro.” Clink-clink-clink-clink-clink-clink,
went the piano. To-to-to-ta-to-to
went the drums, a slow-dance bag. Six over four in a minor key. The place got
quiet.
Este, este, loco amor. En la sangre, me
hierve
Crazy
love. It’s in the blood. I’m going crazy, I can’t make it without your crazy
love. Johnny got on the title phrase and wouldn’t stop: “Loco, loco, loco, loco
por tu amor.” He started crying, he pulled his hair. He fell on his knees
clutching the microphone stand in both hands. He was doubled up in pain. He
gasped, he shook. “Loco, loco, loco, tan loco ...” He raised
his head. Tears of grief rolled down his face. The band pushed at him, they
worked him. The out-of-tune piano pounded, the spacey guitar jangled. The
Filipinos banged their glasses down hard and whistled.
Then
Betty made her move. She strolled across the stage and stood over Johnny,
brandishing the horsewhip. He looked up and whimpered, “Loca?” and she brought
the whip down. He screamed, “Loco!” and the whip came down again and again. The
bolero jacket came apart each time and her tits popped. The Filipinos went mad.
They rushed the stage, they threw money — bills, change, whatever they had that
they weren’t going to need later.

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