One
Saturday shortly before Christmas 1866, the Rev. Septimus Lee Warner encountered
something that convinced him his life was in danger. There, on public display
in a shop window on the High Street, he was confronted by an
eye-catching montage, full of revolving lights and twinkling mirrors, the
centre-piece of which was his own photograph, pasted provocatively onto an
upright coffin-lid. For many parishioners
the church in their midst was a potent political symbol. Grieving parents
who, for want of access to medical intervention or decent sanitation, found
themselves burying their dead children in the churchyard in the shadow
of a building that had cost £2000 to restore. Tiny coffins were borne to the
grave, accompanied by funeral hymns played on an organ that had cost £250, all
of it donated by the Rev. Lee Warner and his family and friends. Worse, this
was at a time when Lee Warner was widely suspected of using duplicitous means
to get his hands on the parish charities, and of mismanaging them in such a way
that the poor were now deprived of their full benefits. Small wonder that Lee
Warner genuinely feared for his life when he saw the executed effigy of himself
in a High Street window, just a few weeks after his church had been blown up.
There were people in the village with serious grievances against him, and he
knew they meant business.

Many thanks for this one . . .
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