epub with thanks to the original sharer
In the thirties,
Piney Brown’s, the Sunset, the Reno, the Subway, and similar clubs were a kind
of after-hours jazz Juilliard. Mary gathered heaps of raw material and began
weaving them into new works for the Clouds of Joy. Riffs at late-night jam
sessions were generated seemingly without effort or end, spearheaded by greats
like the outstanding trumpeter Hot Lips Page, a mellow, supportive ensemble
following right along. “We’d jam until the wee hours of the morning, often
ending up in somebody’s house and the boys having me play some of my weird
harmonies which they called ‘zombie music.’ We visited most of the speaks
downtown. One in particular fascinated me. It was decorated to resemble the
inside of a penitentiary, even with bars all over the place. The waiters wore
striped uniforms like the convicts down south.”

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