Hazel has some nice rackets. She runs El Palacio for a smart money man
who knows some other uses for a movie house besides showing movies. People who
ask for reserved seats can arrange for a game, play a number, score, buy a girl
who’s game, or some “sneak” for one who’s not, read the latest news, or report
it—depending on their fancies—and accomplish sundry other illicit tasks.
Besides these, Hazel occasionally makes the scene as “the unknown blonde woman”
found in the husband’s hotel room when the wife and the private detective walk
in. For this service, Hazel charges New York’s incompatibly married couples
fifty dollars, which is cheap enough in a state where divorce is dependent upon
one-half of the couple being caught in a compromising situation.
“I
need to score, Hazel,” Tea says. “I’m all hung up.”
She stretches her feet out on the bed, kicks off a pair of soiled
white mules. Her body bulges under the kimono. She
reaches back for the gin bottle, swigs, brushes off some that runs down her
chin, and sets it back. “Oooh, sonny, you’re such a serious little Latin. Look
at your eyes.” Her own eyes slide up and down Tea’s lithe body, and her mouth
makes a lopsided grin.
“How’d
you ever get the name Hot Hazel, anyway?” Tea says in mock dismay. She reaches forward and pinches his chin. Her kimono falls open and Tea sees her breasts heaving like melons, the nipples awake.

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