‘‘I’d
always wanted to dig the song, but I never permitted myself to because I
thought there was a real distinction between rock ’n’ roll artists, musical
workmen, and these fly-by-nights like the Count Five and the groups that played
at the dances I went to. Eventually I realized that everybody
steals their material and is heavily influenced by just about everybody else,
and my tastes began to change radically. I suddenly found it an effort to
listen to the more ‘arty’ rock (Beatles, Beach Boys, Jefferson Airplane) and
that I much preferred the hard crude sound of groups like the Seeds, the Fugs,
the Who, etc. And when I would go to dances and hear local teenagers, school
friends of mine even—non-heads even!—turn around in the middle of ‘I’m a Man’
and roll off on a thirty-minute electric raga, plasticizing the beat, crouching
in front of their amps for feedback, and knocking me out, really turning me on
more than anything on record, that was when I finally was enlightened.’’

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