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On the West Coast, his
work had wallpapered walls and telephone poles since the dawn of Punk. His work
was a great gift, going far beyond the droll Rock & Roll iconography so
painfully present at the time. His drawing embodied what my suburban friends
and I believed to be the Punk ideal: unruly, snide and bleak. Even his
draftsmanship wreaked of sarcasm and gloom. His output consisted entirely of
drawings with captions. During the Eighties he self-published close to one
hundred photocopied collections of his grim renderings - Steven Cerio
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